artist's statement
resume
 additional biography
galleries
 recent work
 
oil portraits
 pastel portraits
 books
 lithographs
criticism & comment
bibliography (selected)
exhibitions curated
contact
Oriole Feshbach
    Artist/Author/Cataloguer/Editor:
     
Books:   Luminations, Images for the poem “The Auroras of Autumn” by Wallace Stevens, 50 pages, foreword by Paul Mariani, introduction by Martica Sawin, Midmarch Arts Press, NYC 2008
    Parallels: Artists/Poets, co-artists Claire Heimarck and Lucy D. Rosenfeld, foreword by Grace Glueck; introduction by Mary Ann Caws, images for poems, Midmarch Arts Press, NYC 1993
    Illuminations; Images for the Poem "Asphodel, That Greeny Flower by William Carlos Williams, 86 pages, foreword by Stanley Kunitz; introduction by Amy Clampitt, Midmarch Arts Press, NYC 1991
    A Vanitas Self-Portrait Book, artist’s book, offset lithography, hand bound, 28 pages, 10" X 8", 1988
    Frameworks , MFA Thesis, University of Massachusetts Library, Amherst MA 1976
     
Catalogs:   Introduction and catalog, “Paintings from the Photo,” Riverside Museum, NYC 1970
    Foreword, with catalog, “Young American Indian Artists,” Riverside Museum, NYC 1965
    Introduction, “West Side Artists.” Riverside Museum, NYC 1964
    Introduction, “Tibetan Art,” Riverside Museum, NYC 1962
     
Editing,
Articles,
Statements,
and Photographic
Reproductions:
  Statement, color photo, “Mother and Daughter,” "Mother Tongue,” Massachusetts Review (XXXVIII/3), 1997
  Illustration, statement, “25 Years of Feminism,” Women Artists Series 1971-1996, Rutgers University, New Brunswick NJ 1997, p.38
  Photo, statement, The Journal of the Rutgers University Libraries (LIV/1), 1992, pp. 74-75
    Editor, statement, photo, “Portraits,” Massachusetts Review (XXIV/2), 1983
    Color print, statement, “A Portfolio of Six Lithographs, Massachusetts Review (XX/2), 1979
    Editor, article, “Self-Portraits: Consistancy and Contradictions,” Massachusetts Review, (XXXX), 1978
    Statement, “Valley People,” Mead Art Museum, Amherst College, Amherst MA 1978
    Editor, article, “Mothers and Daughters: The Inner Landscape,” Massachusetts Review (XVII/2), 1976
    Co-Edited, foreword, with Jerome Liebling, “Portfolio,” Massachusetts Review (MCMLXXIV), 1976
    Chapter, “Sarah Lawrence Years and Beyond,” Sarah Lawrence College, Bronxville NY 1969
    Introduction, “Joseph Shannon,” Corcoran Gallery of Art, Washington DC 1969
     
Included in Catalogs and Books:   Catalog checklist, Language as Object, edited by Susan Danly, Mead Art Museum, Amherst College, Amherst MA 1997
  Color photo in book and calendar, Return of the Goddess, edited by Burleigh Muten, Stewart Tabori & Chang, 1997
  Statement, photo, Women Artists Series 1971-1996 (25 years of Feminism and Women’s Art), Rutgers University, New Brunswick NJ 1996
    Color photo, The Herbert W. Plimpton Collection of Realist Art, edited by Carl Belz, Rose Art Museum, Brandeis University, Waltham MA 1995
    Photo, article, Women Artists Series 1987-1988, Douglass College, New Brunswick NJ 1988
    Review, Prints by Women, by Susan Larson, Associated American Artists Gallery, NYC 1986, p.49
    Photo, references, Art and Technology: Offset Prints, by Hanlyn Davies and Hiroshi Murata, Lehigh University, Bethlehem PA 1983
    Photo, statement, Eleven Alumni, University Gallery, University of Massachusetts, Amherst MA 1983
    Chapter, photos in book, Lithography- A Complete Guide, by M.A. Wenniger, Prentice Hall, Englewood Cliffs NJ 1983, pp.150-155
    “Views by Women Artists,” Womens Caucus of Art, NYC 1982
    20th Century Art from Area Collections , Museum of Fine Arts, Springfield MA 1980
    Women Artists 1600-1980, (Selections from Five College Collections) by Judith Barter, Mead Art Museum, Amherst College, Amherst MA 1980
    Catalog with photo postcard, in Small is Beautiful by Marilyn Sweedler Zeitlin, Freedman Gallery, Albright College, Reading PA 1979
    Marilyn S. Zeitlin, “Oriole Farb: New Portraits,” Freedman Gallery, Albright College, Reading PA 1979
    Statement, color photo, Offset Prints, Mt. Holyoke College Art Museum, South Hadley MA 1977
    Marilyn S. Zeitlin, “Oriole Farb: Recent Work,” Center Gallery, Bucknell University, Lewisburg PA 1978
     
Critical Reviews,
Articles,
Reproductions,
Acknowledgments,
Mentions,
Quotations (Selcted)
  Review, two color photos, “Artist finds realism with mixed media” by Pat Cahill, The Republican, Springfield MA, section E, pp.1,4, 11/17/09
  Review, one color photo, “Art Echo” by Becky Everett, The Valley Advocate, Northampton MA, p.34, 2/19/09
  Article, Magazine, Five color photos, “Form in Formlessness” by Laura Holland, Preview-Massachusetts, Northampton MA, pp. 12-17, 12/08
  Review, color photo, “The Mind and the Muse” by Claudia Ebeling, Bucknell Magazine, Lewisburg PA, p.16, Fall 2008
  Review, “Luminations” by Barbara M. Fisher, The Wallace Stevens Journal, pp.297-299, Vol. 32, Num. 2, Fall 2008
  Review, “Flares of Light” by Annie Finch, American Book Review, p.12, Jan-Feb. 2009
  Review, one color (cover) and one black and white, “Visual Poetry Times Three at Hosmer Gallery,” by Phoebe Mitchell, Daily Hampshire Gazette, Northampton MA, 6/14/05
    Review,"Show explores link between art, poetry,” by Gloria Russell, Sunday Republican Springfield MA, 6/19/05
    sv "Oriole Farb Feshbach,” in Martina Roudabush Norelli, Allgemeines, Kuenstlerlexikon, vol. 39, Saur Verlag, Leipzihe Prudentialg 2003
    Two color photos, “Postcard from Amherst,” University of Massachusetts, Amherst MA, Fall, 2003
    Article, three color photos, “Painting Poetry,” by Faye Wolfe, University Massachusetts, Amherst MA, Fall, 2002
    Review, two color photos, “Artist Latest Exhibit Shows Sights of Poetry,” by Nina Bander, The Recorder Greenfield MA, 9/26/02
    Article, two color photos, “Omens in Nature” by Patricia Everett, Hampden Gallery, University of Massachusetts, Amherst MA 2002
    Commentary, photo, Worcester Sentinel & Enterprise, Worcester MA, 2/15/01
    Mention, “Poet Laureate Kunitz,” Worcester Telegram & Gazette, Worcester MA, 3/9/01
    Article, two color (one cover) photos, “A Space of her Own,” by Christine L. Barber, Daily Hampshire Gazette, Northampton MA, 1/23/01
    Review, two color photos (one cover), “Connections offers vistas of Space,” by Gloria Russell, Sunday Republican, Springfield MA, 12/24/00
    Bibliography of "Gregory Gillespie,“ Forum Gallery, NYC, 1999
    Article, two photos, “Creative Spirit” by Christine Benvenuto, Hampshire Life, Northampton MA, 3/26/99
    Photo, Parnassus Poetry in Review (XX111/2), NYC 1998
    Photo, “Homage to Virginia Woolf, Westport Paper, Westport CT, 4/6/95
    Cover color photo, “The Color of Words," Lee Sheridan, The Valley Advocate, Northampton MA, 11/17/94
    Two photos, “Visions/Verse," by Christine Benvenuto, Amherst Bulletin Amherst MA, 11/11/94
    Photo, Parnassus Poetry in Review (18/2-19/1), 1993-4
    Mention, The Canadian Painters Eleven (1953-1960), by Ross Fox, Mead Art Museum, Amherst MA 1994
    Four photos, “Parellels:Artists/Poets,” Massachusetts Review (XXXIV/2), 1993
    Three photos,Old Crow 2, Amherst MA, 1993
    Review, photo, “Books," by Claudia Ebeling, Bucknell World, (XX1/6), Lewisburg PA, 1993
    Review, photo, “Poetic License,” by Eileen Watkins, The Star Ledger, Newark NJ, 4/16/93
    Three photos, Cover, “Celebrating the Spectacle of Our Lives" in "Time Off," by R. Shea, The Princeton Packet, Princeton NJ, 7/24/92
    Review, “Flower Strong Enough to Survive in Hell” by Claudia Ebeling, in "Books,” Bucknell World, Lewisburg PA, 5/6/92
    Cover, photo, Parnassus Poetry in Review (VI/2), NYC 1991
    Five photos, William Carlos Williams Review (17/1), NYC 1991
    Review, “Book Reviews” by Vivien Leone, Women Artists News NYC, 1990
    Review, photo, “Book Review,” Museum Insghts (I/6) Amherst MA
    Review, “Artists Book Beat,” by Nancy Princenthal, The Print Collectors Newsletter (XIX/6) NYC 1989
    Review, “Artists’ Books," by George Gessert, Northwest Review (27/2), 1989
    Review, photo, “Books of Artists," by Laura Holland, The Valley Advocate, Northampton MA, 5/30/88
    Review, “Astonishing artwork on display…,” by M. Manning, Caellvan (49/3), Douglass College, New Brunswick NJ, 3/10/88
    Article, photo, “Leonia collagist builds album for the human race,” by John Zeaman, The Bergen Record NJ, 2/4/88
    Two photos, “Mixed-media exhibits treats human condition,” by Eileen Watkins, Newark Star Ledger, Newark NJ, 1988
    Review, “Prints by Oriole Farb Feshbach,” by John Russell, New York Times, NYC, 10/12/84
    Review, photo, “A print can be a work of art … but when is it truly a Print?” by Theodore F. Wolff, The Christian Science Monitor, 9/6/83
    Review, photo, “High Quality … University of Massachusetts Alumni,” by Robin Karson, The Sunday Republican, Springfield MA, 4/10/83
    Photo, biography in catalog for "A-R-T, An Exhibition of Offset Prints," New England Foundation of the Arts, 1982
    Article, photo, “Katie’s Heritage Traces Ties between Six Women," by Robin Karson The Sunday Republican, Springfield MA, 1/24/82
    Review, “Artists Gaze into Mirror,” by Robin Karson, Springfield Daily News, Springfield MA, 6/25/81
    Photo, Art New England, Boston MA, June 1981
    Review, two photos, “Provocative Examples of Offset Lithography,” by Robert Taylor, Sunday Edition of Boston Globe, Boston MA, 11/23/80
    Review, “Directions in Realism: Boston,” by Pat Hills, Art New England, Boston, 10/80
    Review, photo, “High-Tech Art,” by Laura Holland, Valley Advocate, Northampton MA, 12/24/80
    Cover article, two pages, four photos, “Portrait of the Artist as Portraitist,” by Robin Karson, Hampshire Life-Daily Gazette, Northampton MA, 9/13/80
    Article, photo, “A-R-T Inc.,” by Robert Henning Jr., Print Review 10 1979
    Survey, photo, “Exploring the Potentials of Offset Lithography,” by Ron Michaud, Print News (III/1979)
    Review, “Art Scene" by Alexander Eliot, Hampshire Life, Northampton MA, 2/3/79
    Article, photos, “Snapshots in Oil,” by Laura Holland, Valley Advocate, Northampton MA, 1/3/79
    Article, photo, “Portrait Exhibition,” The Sunday Republican, Springfield MA, 2/22/79
    Review, photo, “Contemporary Portraits Exhibited,” Springfield Daily News, Springfield MA, 2/29/79
    Article, photos, “Fine Art by Technology,” by Nancy Frazier, Hampshire Gazette, Northampton MA, 9/1-9/7/79
    Article, photos, “The ART Prints: A Rare Gift”, by Robin Karson,Hampshire Gazette, Northampton MA, 9/1-9/7/79
    Article, photo, “A Celebration of Community, (Critic’s Tip),” by Robert Taylor, The Boston Globe, Boston MA, 12/7/78
    Article, photo, “Valley People in Paint,” by Kay Moran, Hampshire Life, Northampton MA, 12/16/78
    Article, photo, in Fine Arts Center Magazine, University of Massachusetts, Amherst MA, 11/18-12/18/78
    Review, “Contemporary Women’s Art,” by Frima F. Hofrichter, WCA Newsletter, NYC, 4/78
    Review, “Contemporary Women’s Art: Iconography and Sensibility,” by Sylvia Moore, Women Artists News, NYC 3/78
    Article, photos, “Perspectives on Art,” by A. Bartsch, E. Seely, The New Current, Smith College, Northampton MA, (III/1), 11/77
    Review, “Love and Death at the University Gallery,” by Francis Chastain, Amherst Record, Amherst MA, 12/7/78
    Article, photo, “Art and Technology Together in Amherst,” by Laura Holland, Valley Advocate, Nothampton MA, 7/20/77
    Article, photo, “Artists use Offset,” Amherst Record, Amherst MA, 6/25/77
    Photo, mention, “Jury Day,” Springfield Mass Daily News, Springfield MA, 3/31/77
    Quote, “I.C.P.”, Popular Photography, by H.V. Fondiller, 4/75
    Mention, “Riverside Drive Building,” by Charles Kaiser, New York Times, NYC, 2/22/75
    Review, “‘Women’ Travels the Unknown,” by Tom Hart, Springfield Daily News, Springfield MA, 2/75
    Mention, “Conversations with Audrey Flack,” by Cindy Nemser, Arts Magazine 2/74
    “Brandeis Merger…,” by Sanka Knox, New York Times, NYC, 6/17/71
    Mention, “Photo into Painting,” by Jacob Deschin, New York Times, NYC, 1/4/70
    Mention, “The Camera’s Eye on Canvas,” by E. Stevens, Wall Street Journal, NYC, 1/6/70
    Mention, “Art,” by Lawrence Alloway, The Nation, 12/29/69
    Interview, “Is It Art?” by Grace Glueck, New York Times, NYC, 2/24/68
    Quote, “Hoving at the Met,” by Ann Ray Martin, Newsweek, 4/1/68
    Mention, The Concerned Photographer, by Cornell Capa, Grossman, Inc., NYC, 1968
    Quote, “Voices on Film,” by Raymond Sokolov, Newsweek, 10/30/67
    Acknowledgment in introduction by ed. Ruth Gurin, American Abstract Artists 1936-1966, by A.A.A., NYC 1966
    Mention, “Injunuity,” by Grace Glueck, (Art Notes), New York Times, NYC, 11/65