| artist's statement |
| resume additional biography |
| galleries recent work oil portraits pastel portraits books lithographs |
| criticism & comment |
| bibliography (selected) |
| exhibitions curated |
| contact |
| Oriole Feshbach |
| Artist/Author/Cataloguer/Editor: | ||
| Books: | Luminations, Images for the poem “The Auroras of Autumn” by Wallace Stevens, 50 pages, foreword by Paul Mariani, introduction by Martica Sawin, Midmarch Arts Press, NYC 2008 | |
| Parallels: Artists/Poets, co-artists Claire Heimarck and Lucy D. Rosenfeld, foreword by Grace Glueck; introduction by Mary Ann Caws, images for poems, Midmarch Arts Press, NYC 1993 | ||
| Illuminations; Images for the Poem "Asphodel, That Greeny Flower by William Carlos Williams, 86 pages, foreword by Stanley Kunitz; introduction by Amy Clampitt, Midmarch Arts Press, NYC 1991 | ||
| A Vanitas Self-Portrait Book, artist’s book, offset lithography, hand bound, 28 pages, 10" X 8", 1988 | ||
| Frameworks , MFA Thesis, University of Massachusetts Library, Amherst MA 1976 | ||
| Catalogs: | Introduction and catalog, “Paintings from the Photo,” Riverside Museum, NYC 1970 | |
| Foreword, with catalog, “Young American Indian Artists,” Riverside Museum, NYC 1965 | ||
| Introduction, “West Side Artists.” Riverside Museum, NYC 1964 | ||
| Introduction, “Tibetan Art,” Riverside Museum, NYC 1962 | ||
| Editing, Articles, Statements, and Photographic Reproductions: |
Statement, color photo, “Mother and Daughter,” "Mother Tongue,” Massachusetts Review (XXXVIII/3), 1997 | |
| Illustration, statement, “25 Years of Feminism,” Women Artists Series 1971-1996, Rutgers University, New Brunswick NJ 1997, p.38 | ||
| Photo, statement, The Journal of the Rutgers University Libraries (LIV/1), 1992, pp. 74-75 | ||
| Editor, statement, photo, “Portraits,” Massachusetts Review (XXIV/2), 1983 | ||
| Color print, statement, “A Portfolio of Six Lithographs, Massachusetts Review (XX/2), 1979 | ||
| Editor, article, “Self-Portraits: Consistancy and Contradictions,” Massachusetts Review, (XXXX), 1978 | ||
| Statement, “Valley People,” Mead Art Museum, Amherst College, Amherst MA 1978 | ||
| Editor, article, “Mothers and Daughters: The Inner Landscape,” Massachusetts Review (XVII/2), 1976 | ||
| Co-Edited, foreword, with Jerome Liebling, “Portfolio,” Massachusetts Review (MCMLXXIV), 1976 | ||
| Chapter, “Sarah Lawrence Years and Beyond,” Sarah Lawrence College, Bronxville NY 1969 | ||
| Introduction, “Joseph Shannon,” Corcoran Gallery of Art, Washington DC 1969 | ||
| Included in Catalogs and Books: | Catalog checklist, Language as Object, edited by Susan Danly, Mead Art Museum, Amherst College, Amherst MA 1997 | |
| Color photo in book and calendar, Return of the Goddess, edited by Burleigh Muten, Stewart Tabori & Chang, 1997 | ||
| Statement, photo, Women Artists Series 1971-1996 (25 years of Feminism and Women’s Art), Rutgers University, New Brunswick NJ 1996 | ||
| Color photo, The Herbert W. Plimpton Collection of Realist Art, edited by Carl Belz, Rose Art Museum, Brandeis University, Waltham MA 1995 | ||
| Photo, article, Women Artists Series 1987-1988, Douglass College, New Brunswick NJ 1988 | ||
| Review, Prints by Women, by Susan Larson, Associated American Artists Gallery, NYC 1986, p.49 | ||
| Photo, references, Art and Technology: Offset Prints, by Hanlyn Davies and Hiroshi Murata, Lehigh University, Bethlehem PA 1983 | ||
| Photo, statement, Eleven Alumni, University Gallery, University of Massachusetts, Amherst MA 1983 | ||
| Chapter, photos in book, Lithography- A Complete Guide, by M.A. Wenniger, Prentice Hall, Englewood Cliffs NJ 1983, pp.150-155 | ||
| “Views by Women Artists,” Womens Caucus of Art, NYC 1982 | ||
| 20th Century Art from Area Collections , Museum of Fine Arts, Springfield MA 1980 | ||
| Women Artists 1600-1980, (Selections from Five College Collections) by Judith Barter, Mead Art Museum, Amherst College, Amherst MA 1980 | ||
| Catalog with photo postcard, in Small is Beautiful by Marilyn Sweedler Zeitlin, Freedman Gallery, Albright College, Reading PA 1979 | ||
| Marilyn S. Zeitlin, “Oriole Farb: New Portraits,” Freedman Gallery, Albright College, Reading PA 1979 | ||
| Statement, color photo, Offset Prints, Mt. Holyoke College Art Museum, South Hadley MA 1977 | ||
| Marilyn S. Zeitlin, “Oriole Farb: Recent Work,” Center Gallery, Bucknell University, Lewisburg PA 1978 | ||
| Critical
Reviews, Articles, Reproductions, Acknowledgments, Mentions, Quotations (Selcted) |
Review, two color photos, “Artist finds realism with mixed media” by Pat Cahill, The Republican, Springfield MA, section E, pp.1,4, 11/17/09 | |
| Review, one color photo, “Art Echo” by Becky Everett, The Valley Advocate, Northampton MA, p.34, 2/19/09 | ||
| Article, Magazine, Five color photos, “Form in Formlessness” by Laura Holland, Preview-Massachusetts, Northampton MA, pp. 12-17, 12/08 | ||
| Review, color photo, “The Mind and the Muse” by Claudia Ebeling, Bucknell Magazine, Lewisburg PA, p.16, Fall 2008 | ||
| Review, “Luminations” by Barbara M. Fisher, The Wallace Stevens Journal, pp.297-299, Vol. 32, Num. 2, Fall 2008 | ||
| Review, “Flares of Light” by Annie Finch, American Book Review, p.12, Jan-Feb. 2009 | ||
| Review, one color (cover) and one black and white, “Visual Poetry Times Three at Hosmer Gallery,” by Phoebe Mitchell, Daily Hampshire Gazette, Northampton MA, 6/14/05 | ||
| Review,"Show explores link between art, poetry,” by Gloria Russell, Sunday Republican Springfield MA, 6/19/05 | ||
| sv "Oriole Farb Feshbach,” in Martina Roudabush Norelli, Allgemeines, Kuenstlerlexikon, vol. 39, Saur Verlag, Leipzihe Prudentialg 2003 | ||
| Two color photos, “Postcard from Amherst,” University of Massachusetts, Amherst MA, Fall, 2003 | ||
| Article, three color photos, “Painting Poetry,” by Faye Wolfe, University Massachusetts, Amherst MA, Fall, 2002 | ||
| Review, two color photos, “Artist Latest Exhibit Shows Sights of Poetry,” by Nina Bander, The Recorder Greenfield MA, 9/26/02 | ||
| Article, two color photos, “Omens in Nature” by Patricia Everett, Hampden Gallery, University of Massachusetts, Amherst MA 2002 | ||
| Commentary, photo, Worcester Sentinel & Enterprise, Worcester MA, 2/15/01 | ||
| Mention, “Poet Laureate Kunitz,” Worcester Telegram & Gazette, Worcester MA, 3/9/01 | ||
| Article, two color (one cover) photos, “A Space of her Own,” by Christine L. Barber, Daily Hampshire Gazette, Northampton MA, 1/23/01 | ||
| Review, two color photos (one cover), “Connections offers vistas of Space,” by Gloria Russell, Sunday Republican, Springfield MA, 12/24/00 | ||
| Bibliography of "Gregory Gillespie,“ Forum Gallery, NYC, 1999 | ||
| Article, two photos, “Creative Spirit” by Christine Benvenuto, Hampshire Life, Northampton MA, 3/26/99 | ||
| Photo, Parnassus Poetry in Review (XX111/2), NYC 1998 | ||
| Photo, “Homage to Virginia Woolf, Westport Paper, Westport CT, 4/6/95 | ||
| Cover color photo, “The Color of Words," Lee Sheridan, The Valley Advocate, Northampton MA, 11/17/94 | ||
| Two photos, “Visions/Verse," by Christine Benvenuto, Amherst Bulletin Amherst MA, 11/11/94 | ||
| Photo, Parnassus Poetry in Review (18/2-19/1), 1993-4 | ||
| Mention, The Canadian Painters Eleven (1953-1960), by Ross Fox, Mead Art Museum, Amherst MA 1994 | ||
| Four photos, “Parellels:Artists/Poets,” Massachusetts Review (XXXIV/2), 1993 | ||
| Three photos,Old Crow 2, Amherst MA, 1993 | ||
| Review, photo, “Books," by Claudia Ebeling, Bucknell World, (XX1/6), Lewisburg PA, 1993 | ||
| Review, photo, “Poetic License,” by Eileen Watkins, The Star Ledger, Newark NJ, 4/16/93 | ||
| Three photos, Cover, “Celebrating the Spectacle of Our Lives" in "Time Off," by R. Shea, The Princeton Packet, Princeton NJ, 7/24/92 | ||
| Review, “Flower Strong Enough to Survive in Hell” by Claudia Ebeling, in "Books,” Bucknell World, Lewisburg PA, 5/6/92 | ||
| Cover, photo, Parnassus Poetry in Review (VI/2), NYC 1991 | ||
| Five photos, William Carlos Williams Review (17/1), NYC 1991 | ||
| Review, “Book Reviews” by Vivien Leone, Women Artists News NYC, 1990 | ||
| Review, photo, “Book Review,” Museum Insghts (I/6) Amherst MA | ||
| Review, “Artists Book Beat,” by Nancy Princenthal, The Print Collectors Newsletter (XIX/6) NYC 1989 | ||
| Review, “Artists’ Books," by George Gessert, Northwest Review (27/2), 1989 | ||
| Review, photo, “Books of Artists," by Laura Holland, The Valley Advocate, Northampton MA, 5/30/88 | ||
| Review, “Astonishing artwork on display…,” by M. Manning, Caellvan (49/3), Douglass College, New Brunswick NJ, 3/10/88 | ||
| Article, photo, “Leonia collagist builds album for the human race,” by John Zeaman, The Bergen Record NJ, 2/4/88 | ||
| Two photos, “Mixed-media exhibits treats human condition,” by Eileen Watkins, Newark Star Ledger, Newark NJ, 1988 | ||
| Review, “Prints by Oriole Farb Feshbach,” by John Russell, New York Times, NYC, 10/12/84 | ||
| Review, photo, “A print can be a work of art … but when is it truly a Print?” by Theodore F. Wolff, The Christian Science Monitor, 9/6/83 | ||
| Review, photo, “High Quality … University of Massachusetts Alumni,” by Robin Karson, The Sunday Republican, Springfield MA, 4/10/83 | ||
| Photo, biography in catalog for "A-R-T, An Exhibition of Offset Prints," New England Foundation of the Arts, 1982 | ||
| Article, photo, “Katie’s Heritage Traces Ties between Six Women," by Robin Karson The Sunday Republican, Springfield MA, 1/24/82 | ||
| Review, “Artists Gaze into Mirror,” by Robin Karson, Springfield Daily News, Springfield MA, 6/25/81 | ||
| Photo, Art New England, Boston MA, June 1981 | ||
| Review, two photos, “Provocative Examples of Offset Lithography,” by Robert Taylor, Sunday Edition of Boston Globe, Boston MA, 11/23/80 | ||
| Review, “Directions in Realism: Boston,” by Pat Hills, Art New England, Boston, 10/80 | ||
| Review, photo, “High-Tech Art,” by Laura Holland, Valley Advocate, Northampton MA, 12/24/80 | ||
| Cover article, two pages, four photos, “Portrait of the Artist as Portraitist,” by Robin Karson, Hampshire Life-Daily Gazette, Northampton MA, 9/13/80 | ||
| Article, photo, “A-R-T Inc.,” by Robert Henning Jr., Print Review 10 1979 | ||
| Survey, photo, “Exploring the Potentials of Offset Lithography,” by Ron Michaud, Print News (III/1979) | ||
| Review, “Art Scene" by Alexander Eliot, Hampshire Life, Northampton MA, 2/3/79 | ||
| Article, photos, “Snapshots in Oil,” by Laura Holland, Valley Advocate, Northampton MA, 1/3/79 | ||
| Article, photo, “Portrait Exhibition,” The Sunday Republican, Springfield MA, 2/22/79 | ||
| Review, photo, “Contemporary Portraits Exhibited,” Springfield Daily News, Springfield MA, 2/29/79 | ||
| Article, photos, “Fine Art by Technology,” by Nancy Frazier, Hampshire Gazette, Northampton MA, 9/1-9/7/79 | ||
| Article, photos, “The ART Prints: A Rare Gift”, by Robin Karson,Hampshire Gazette, Northampton MA, 9/1-9/7/79 | ||
| Article, photo, “A Celebration of Community, (Critic’s Tip),” by Robert Taylor, The Boston Globe, Boston MA, 12/7/78 | ||
| Article, photo, “Valley People in Paint,” by Kay Moran, Hampshire Life, Northampton MA, 12/16/78 | ||
| Article, photo, in Fine Arts Center Magazine, University of Massachusetts, Amherst MA, 11/18-12/18/78 | ||
| Review, “Contemporary Women’s Art,” by Frima F. Hofrichter, WCA Newsletter, NYC, 4/78 | ||
| Review, “Contemporary Women’s Art: Iconography and Sensibility,” by Sylvia Moore, Women Artists News, NYC 3/78 | ||
| Article, photos, “Perspectives on Art,” by A. Bartsch, E. Seely, The New Current, Smith College, Northampton MA, (III/1), 11/77 | ||
| Review, “Love and Death at the University Gallery,” by Francis Chastain, Amherst Record, Amherst MA, 12/7/78 | ||
| Article, photo, “Art and Technology Together in Amherst,” by Laura Holland, Valley Advocate, Nothampton MA, 7/20/77 | ||
| Article, photo, “Artists use Offset,” Amherst Record, Amherst MA, 6/25/77 | ||
| Photo, mention, “Jury Day,” Springfield Mass Daily News, Springfield MA, 3/31/77 | ||
| Quote, “I.C.P.”, Popular Photography, by H.V. Fondiller, 4/75 | ||
| Mention, “Riverside Drive Building,” by Charles Kaiser, New York Times, NYC, 2/22/75 | ||
| Review, “‘Women’ Travels the Unknown,” by Tom Hart, Springfield Daily News, Springfield MA, 2/75 | ||
| Mention, “Conversations with Audrey Flack,” by Cindy Nemser, Arts Magazine 2/74 | ||
| “Brandeis Merger…,” by Sanka Knox, New York Times, NYC, 6/17/71 | ||
| Mention, “Photo into Painting,” by Jacob Deschin, New York Times, NYC, 1/4/70 | ||
| Mention, “The Camera’s Eye on Canvas,” by E. Stevens, Wall Street Journal, NYC, 1/6/70 | ||
| Mention, “Art,” by Lawrence Alloway, The Nation, 12/29/69 | ||
| Interview, “Is It Art?” by Grace Glueck, New York Times, NYC, 2/24/68 | ||
| Quote, “Hoving at the Met,” by Ann Ray Martin, Newsweek, 4/1/68 | ||
| Mention, The Concerned Photographer, by Cornell Capa, Grossman, Inc., NYC, 1968 | ||
| Quote, “Voices on Film,” by Raymond Sokolov, Newsweek, 10/30/67 | ||
| Acknowledgment in introduction by ed. Ruth Gurin, American Abstract Artists 1936-1966, by A.A.A., NYC 1966 | ||
| Mention, “Injunuity,” by Grace Glueck, (Art Notes), New York Times, NYC, 11/65 |